Hello and welcome to my stop of the Little Siberia Random Things blog tour! A huge thanks to Anne Cater for inviting me to be part of this blog tour. I’ve been meaning to pick up Antti Tuomainen‘s books for quite some time now, and after reading the blurb of Little Siberia I just couldn’t resist posponing Palm Beach Finland slightly and read this newest story first. I definitely understand the love for his books now! Want to know why? Please join me while I share my thoughts…
Title: Little Siberia
Author: Antti Tuomainen
Genre: Mystery, Thriller, Crime
First published: September 17th 2018
Publisher: Orenda Books
Finished reading: October 9th 2019
(Originally written in Finnish: ‘Pikku Siperia’)
“It seems that the turning points in our lives are always associated with a strange combination of the banal and the extraordinary, like watching a spaceship land in a perfectly everyday landscape.”
*** A copy of this book was kindly provided to me by Anne Cater and the publisher in exchange for an honest review. Thank you! ***
The first thing that people seem to mention when it comes to Antti Tuomainen‘s recent books is the way he is able to introduce dark comedy more than successfully into an already solid crime thriller. Nordic noir with a healthy dose of blacker-than-black humor? You can definitely count me in for that! I’ve been looking forward to finally discover his work for some time now, and while I thought it was going to be my pink and fabulous copy of Palm Beach Finland, I’m more than happy my first introduction has been Little Siberia in the end. I definitely understand all that buzz around this Finnish dark comedy magician now!
So, dark comedy. Humor is basically a tricky element to introduce in any story, as it is extremely hard to get the tone and type of humor just right. Not everyone likes the same kind of humor, and black humor can go wrong real fast and even become offensive to some readers in a blink of an eye… I’m personally all for dark comedy and sarcasm when done right, and there is one thing for sure: Antti Tuomainen knows how to handle his humor. Sharp, hilarious and blacker than those seemingly endless Finnish nights… Oh yes, Antti Tuomainen‘s humor is definitely right up my alley. He is not only able to make me chuckle with his wittily wicked comments, but somehow he is also able to combine it flawlessly with one of my favorite genres. Humor and crime are not exactly natural partners, no matter how dark that humor might be, but Little Siberia makes you realize just how well both work together when someone who knows what he’s doing takes the reins.
That’s not the only thing that stands out in Little Siberia though. The remote and small town Hurmevaara up in Northern Finland is without doubt the perfect setting for this story. The descriptions of the setting are thorough, plentiful and really make the story come alive for me. The remoteness, the cold, the closeness to the Russian border… It all plays a carefully crafted role in the plot and Hurmevaara isn’t just an ordinary setting that could be swapped with a different town. Instead, Hurmevaara almost feels like yet another character of this story and its existence is basically essential to the plot. That same plot is both highly original, addictive and basically an emotional rollercoaster ride. The basics of this story are actually quite simple, but you soon realize that the finale of Little Siberia is constantly being dangled in front of you like a carrot, while at the same time little plot twist bones are being thrown your way to keep you hungry for more. Less in more in this case, although it is true that we still have quite a cast of characters to juggle.
What I love of this story is that the main character Joel is actually a priest. Quite unexpected and without doubt the driving force behind the successful introduction of humor into the plot… Joel has a fascinating history and his development is undeniably key to the story. Through his character, we are introduced both to the crime element and the more poignant story of his home life. After recent events, Joel is forced to fight for what he thinks is right, and decides to play both security guard and amateur detective to do so. This leads to all kinds of witty, awkward and even dangerous situations, and Little Siberia consequently has a healthy dose of action, suspense and violence in store for you. Things WILL escalate and you will find yourself biting your nails long before the end is in sight… Always having that wicked humor thrown in to ease the tension just when you think you are about to explode. Little Siberia has a very eclectic and well developed mix of characters to enjoy as well, each adding a little something to the plot and the story is all the more interesting because of them. On top of that, Little Siberia most definitely ends with a bang!
Before I stop today’s rambles, a big thank you is in place to David Hackston for enabling us to enjoy this fantastic story through his flawless translation. We are so lucky to have fantastic translators out there who make it possible for us to enjoy our dose of Nordic Noir to the fullest! And there is no doubt that Little Siberia is a little gem. If you like your humor dark and your Nordic Noir lighting fast, bloodchilling and touching at the same time, Little Siberia is simply a must-read. It’s like a big black bowl of delicious and hilarious crime magic!
ABOUT THE AUTHOR
Finnish Antti Tuomainen was an award-winning copywriter when he made his
literary debut in 2007 as a suspense author. In 2011, Tuomainen’s third novel,
The Healer, was awarded the Clue Award for ‘Best Finnish Crime Novel of 2011’
and was shortlisted for the Glass Key Award. Two years later, in 2013, the Finnish
press crowned Tuomainen the ‘King of Helsinki Noir’ when Dark as My Heart
was published. With a piercing and evocative style, Tuomainen was one of the
first to challenge the Scandinavian crime genre formula, and his poignant, dark
and hilarious The Man Who Died (2017) became an international bestseller,
shortlisting for the Petrona and Last Laugh Awards. Palm Beach Finland (2018)
was an immense success, with The Times calling Tuomainen ‘the funniest writer