Hello and welcome to my little stop of the The Pumilio Child Random Things Tour! A huge thanks to Anne Cater for inviting me to be part of this blog tour. The Pumilio Child has first been published last year and has been put in the spotlight during the blog tour which started on February 25th and will continue until March 6th. Please join me while I share my thoughts on The Pumilio Child…
“It is nature. And the will of the Divine. That’s how life is. Cruel and unfair. We may question the injustice, but we both know we are powerless against it.”
*** A copy of this book was kindly provided to me by Anne Cater and the publisher in exchange for an honest review. Thank you! ***
Ya Ling’s cultured life of privilege in Beijing is cruelly cut short when she is abducted and shipped to the slave market in Venice. When Mantegna sees her chained to a post, his initial intention is to paint her exotic beauty, but he soon he desires her company for pleasures of a more private nature. Ya Ling has two ambitions, to ruin Mantegna, then to escape back to her family in China. However, Mantegna’s latest commission, two huge frescos for the ruling Gonzaga family, make him invincible.
Will Ya Ling survive? And can she succeed?
Give me the promise of a historical fiction story with a foreign setting and other cultures to explore and I’m sold without needing to know more. This is exactly what happened when I first heard about The Pumilio Child and its mix of Chinese and Italian culture. The setting on its own is fascinating, and I loved the little glimpses of 15th century Mongol/Han culture in Beijing and life in the same period in Italy. The writing is quite engaging and includes lots of descriptions of both places. I did find the timelapses in especially the part set in Italy to be quite random and without warning though; sometimes days, months or even years passed between one sentence and the other just like that. This made the story feel less coherent and disturbed the flow of the plot. The ending was a bit abrupt; especially if you consider the fact that a lot of the plot was quite slow and the story dragged in parts.
As for the characters: I’m not completely positive Ya Ling is that credible as a character. She seems overconfident and able to overcome enormous obstacles so far from home even after such a shelted childhood in a completely different country and culture… The way she acted and some of the things she did just didn’t manage to convince me. I loved the details about the healing and different plants as well as the details about the Asian culture though. On the other side we have Mantegna. I confess I don’t know anything about the real Mantegna, so I wasn’t offended by the fact that he is supposedly nothing like the character as described in The Pumilio Child. He is absolutely despicable in the story, but I guess every story needs a villain… I loved the many descriptions of the art though. Trigger warnings are in place for (child) abuse, rape, discrimination and violence among other things. Then again, the story is set back in the 15th century, so we are all aware of the fac tthat women (and especially slaves) are not treated the same way back then.
There were things I liked in this story, including the foreign culture and many references to the healing abilities of Ya Ling and her family. There is a lot to say about the plot as well, with the various surprises it has in store and twists you probably won’t see coming. The story didn’t seem to flow all that well though, mainly due to the sudden timelapses and jumping in time. When you see a characters with lots of details about daily life and a really slow pace, only for them to suddenly be days/months/years in the future in a completely different situation, this can become a bit confusing. Also, after such a slow-paced and character driven start, the final part of The Pumilio Child (starting with their final time at the court) felt a bit rushed and the ending was too abrupt for me.
That said, The Pumilio Child is by no means a bad read and historical fiction fans who like character driven stories with a foreign setting will have a great time discovering all about Ya Ling’s unfortunate life.
ABOUT THE AUTHOR
Judy McInerney has lived and worked in London for most of her professional life. Living in the Middle East, she managed to get lost in the desert, and to live through a military coup. After teaching in Abu Dhabi and starting her own business in Turkey, she returned to London and completed a creative writing course at Goldsmiths. Writing for food and travel guides has enabled her to justify travelling and eating out far too often
As a frequent traveller to China over the last thirty years she has seen the country undergo massive seismic changes, – from the times of Mao jackets and vast shoals of bicycles meandering along every hutong, to the present day, where Beijing is bigger than Belgium and has six million cars. She still travels in China each year to keep in close touch with family there. She also has a longstanding love affair with Italy, particularly the Renaissance cities of the north. Mantua is an undiscovered gem, both magical and macabre.