Title: A Castle In Romagna
Author: Igor Stiks
Genre: Historical Fiction
First published: 2000
Publisher: AmazonCrossing
Finished reading: February 2nd 2018
Pages: 128
(Originally written in Croatian: ‘Dvorac u Romagni’)
“He was overcome by the immobility one feels upon meeting something long sought after, that silent tension of the body that, before we take the object into our hands, forces us to pause for a moment, as if every passing second increases its value.”
*** A copy of this book was kindly provided to me by Netgalley and AmazonCrossing in exchange for an honest review. Thank you! ***
One of my goals this year is to read more international authors and translation, and I’ve been meaning to read more historical fiction that is not set during WWII as well. A Castle In Romagna manages to tick both boxes, and the blurb itself had me more than intrigued. Sadly, my reading experience wasn’t what I hoped it would be… Here’s why. First of all, I REALLY struggled with the writing style. I’m not sure if it’s because of the fact it is a translation and some of the magic is lost, but I do know it was really hard to stay focused and keep reading. The prose doesn’t flow and more often than not ‘formal’ or less natural phrases are thrown in. This slows down the pace considerably and kept distracting me from trying to follow the plot. Another thing that didn’t work for me was the dual storyline. I felt neither story had enough dept because of it, especially since this novel is not that long to start with. Both plot, background and characters in both storylines lacked fleshing out and honestly I think I would have rather seen two completely separate stories. Also, I think the connection of the two storylines through the 1995 setting and friar telling both stories was actually quite weak, as apart from the fact that both storylines are about doomed love they do not have all that much in common. I do have to say both the 16th century setting and the one in 1948 have a lot of potential, and I truly wish each would have been more developed. As it is, I failed to connect to any of the characters and I’m afraid to say I wasn’t able to enjoy my time with A Castle In Romagna.
A young refugee of the Bosnian conflict decides to visit the old Mardi castle in the north of Italy in 1995. But instead of wandering around exploring the fortress, he will meet a guide who will tell him all about the past: both his own and how he ended up as a refugee himself in Italy in 1948 and the tragic fate of the poet Enzo Strecci back in the 16th century.
I had such high hopes for this story, especially since the blurb sounded really promising, but unfortunately the story fell completely flat for me. Between the writing style, lack of dept and development in both the plot and characters and the failed dual storyline, I had a hard time reading A Castle In Romagna. Although I keep wondering if some of its charm has been lost in translation.
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